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A READING FROM THE FASCINATION ...

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To celebrate my new Victorian gothic novel entering the Sunday Times Best Seller List at number 10, I'd like to post a very short reading from the first pages of The Fascination. But first of all, here is a brief description of what the novel is about...


Victorian England. 

A world of rural fairgrounds and glamorous London theatres. 

A world of dark secrets and deadly obsessions…


Twin sisters, Keziah and Tilly Lovell, are identical in every way, except that Tilly hasn't grown a single inch since she was five. Coerced into promoting their father's quack elixir as they tour the country fairgrounds, at the age of fifteen the girls are sold to a mysterious Italian known as ‘Captain’.

Theo is an orphan, raised by his grandfather, Lord Seabrook, a man with a dark interest in anatomical freaks and other curiosities. Resenting his grandson for his mother’s death in childbirth, when Seabrook remarries and a new heir is produced Theo leaves his home without a penny to his name, finding employment in a London Museum of Anatomy where, by chance, he meets with Captain – and in turn with a theatrical ‘family’ of performers, freaks, and outcasts. But it is Theo’s fascination with Tilly and Keziah that will lead all of them into a web of deceits, where the darkest of secrets threaten everything they know…

Exploring universal themes of grief, loss and love, the power of redemption, and what it means to be unique, 
The Fascination is a bewitching gothic novel that brings alive Victorian London – and all the darkness and deception beneath the glitter of the surface.



I hope this has tempted you to read the book. I'll be posting some of the 'fascinating' Victorian research behind this novel's history very soon.




DR KAHN'S OXFORD STREET MUSEUM

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In my novel, The Fascination, one of the settings is an anatomy museum and shop in Oxford Street - with many of the details based on one that did exist. My own museum proprietor is known as Doctor Summerwell, although his personality is not in any way related to the real Doctor Kahn ...

In the Victorian era Dr Joseph Kahn's Anatomical and Pathological Museum was a great tourist destination. It ran for 22 years despite several court cases arising from anti-vice and medical campaigners who attempted to close it down.  But, in 1851, when the establishment was opened, despite it being named as a gloomy sepulchre of pathological horror, there was enormous interest in response to advertisements, such as this from the Daily News on April 2nd, 1851 ~

 DR. KAHN'S GRAND ANATOMICAL MUSEUM, 315 Oxford Street, is now OPEN from 10 o'clock in the morning till 10 o'clock at night. Popular Lectures, explanatory of the Structure and Functions of the Human Body, and illustrated by models, will be delivered daily by an English medical gentleman, at the following hours, viz., 11,1,3,5,7, and 9 o'clock - Admission 2s. 

Visitors would be both horrified and titillated by the explicit displays showing various defilements of the 'sacred body beautiful' from the ravages of venereal disease. Some may have also gone there to learn more of the facts of life, or else to have been lectured on the dangers caused by smoking. There were sensible rejections of widely-held beliefs that foetal abnormalities were often caused by pregnant mothers having overactive imaginations. (This concept of 'maternal impression' was given as the reason for Joseph Merrick's deformities, when extensive tumours growing on his body led to him being known as The Elephant Man - with his family telling the story that his mother had been knocked down by a fairground elephant when she was carrying her son.) 




Such a museum was nothing new. John Hunter's famed collection, established in the 18th century, was purchased by the government in 1799 for the Royal College of Surgeons. Those exhibits were not opened up to the general public who still found their entertainment by gathering in great numbers to view anatomical wax models at Simmons's Waxworks in High Holborn. There, an anatomical Samson with his torso opened up to reveal internal organs was a source of lurid wonder. Similarly, Signor Sarti's exhibition in Margaret Street had a wax Venus and Adonis. 




Anatomical Venus from The Wellcome Collection


Joseph Kahn followed this theme for his own museum. Having claimed to be a qualified medical physician, he opened a shop and Museum in Oxford Street. Here he displayed anatomical, surgical, and embryological collections with an emphasis on science, recommended for the enlightenment of families and schools. The more morbid effects of venereal disease were kept in private rooms, supposedly only for eyes of trainee medical men. But, in reality, any adult who could pay the entrance fee could go along and see them. Eventually The Lancet expressed concern at female visitors observing such depravities. But Dr Khan then insisted they were there in a professional capacity for midwives or nurses. This left the editor satisfied, even  recommending the venue as a source of valid learning. 

The museum was threatened again when a competitor (Reimers's Museum) encouraged a young boy to formally complain that Kahn had interfered with him. Once again the Lancet came to Kahn's defence, although the editor, Thomas Wakely, was severely disappointed when Kahn began promoting and selling quack medicines. 

The Jordan family, operating as Perry & Co, became involved in the business, providing cures for venereal disease. There were also appliances for treating young men suffering the condition of 'spermatorrhoea' or 'states of nervous exhaustion' brought on by masturbation. In other words, they were treating a natural bodily function as if it were an illness. 



The trade was lucrative. Kahn was soon able to rent a lavish home in Harley Street and to ride about the town in his own private carriage. The museum was moved to a new location in Piccadilly which was altogether grander. However, this proved too much for the more upstanding members of the medical profession. Kahn was charged and taken to court where it was found he had no right to call himself a doctor, or to offer medical advice. Representatives of the Lancet also claimed the museum's displays were sordid and immoral, and the owner sold what bordered on pornographic books and pamphlets - leading to Kahn being prosecuted on the grounds of obscenity. 


The Heteradelph


During this upheaval Kahn continued selling his guides on diet, hygiene and sexual health. He also gave lectures on human curiosities - such a tribe born with tails that had been found in Africa, or the mummified remains of a child born with several legs which he called The Heteradelph. 

However, by 1864, the General Medical Council struck again and accused him of working illegally in an unlicensed practice - at which point Kahn disappeared, perhaps returning to Germany.  

The museum carried on, supported by the Jordans who still sold quack goods and medicines. Kahn's name was even used to promote a museum in New York. Books with his name on the cover were still being published as late as 1917. 

In London the museum was permanently closed. The Society for the Suppression of Vice had been also involved and, following another court case when the magistrate demanded that all the stock and exhibitions be immediately destroyed. Somewhat dramatically, the solicitor representing the Society was then personally allowed to take a hammer to the models, breaking up what The Times described as items of 'the most elaborate character, many of which were worth a considerable sum of money.' 



Thanks to the Journal of the Royal Society of Medicine, and the Wellcome Collection for valuable information, and also to Lee Jackson of www.victorianlondon.com for the museum advertisement.

ADA LOVELACE AND THE DIFFERENCE ENGINE...

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Ada Lovelace 
December 10th 1815 - November 27th 1852


Augusta Ada King, Countess of Lovelace, was the only legitimate child of the poet Lord Byron. However, she never knew the father who left his wife and child when Ada was still a baby, and who died when she was nine.

Byron


As a child Ada was sickly following a bout of measles. Meanwhile, her domineering mother kept Ada in isolation while attempting to allay any trace of ‘immorality’ or 'poetic tendencies' she might have inherited from her father. Instead, she insisted  Ada was tutored in music and mathematics (Lady Byron was herself a clever mathematician who Byron had once called his 'Princess of Parallelograms') and was no doubt relieved when Ada showed great promise in these areas.


Charles Babbage 1791-1871

Ada’s talents came to fruition at the age of seventeen when she met with Charles Babbage, Lucasian professor of mathematics at Cambridge University. In such a role, Babbage had already begun his work on mechanical computers, though his machines were never made, with parliament refusing to sponsor the plans he submitted for the ‘Difference’ and ‘Analytical’ Engines. 


Ada Lovelace

Babbage found more interest abroad, and was aided by the Italian mathematician, Louis Menebrea. When he then returned to England again, Ada ~ his little Enchantress of Numbers ~ who had since gone on to marry, continued to help him with translating Menabrea’s notes. From these she formed an algorithm: a code to enable the processing of the machines her mentor had in mind. For this work she is now viewed as being the first computer programmer. There is also some evidence that Ada designed or suggested punch cards for use with the machine, even exploring its scope for aiding the composition of music.

Ockham Park, near East Horsley in Surrey

After her marriage to William King-Noel, who became the Earl of Lovelace, Ada was able to part from her domineering mother and resided at Ockham Park in Surrey. There she produced three children before a premature death from uterine cancer at the age of  36 ~ the same age as her father had been when he died in Greece, suffering from a fever and an excess of medicinal blood-letting. 

Image taken from Barber's Byron and Where He is Buried

As befitting her final wish, Ada was then buried at Lord Byron's side in the crypt of Hucknall Torkard church, at last to be reunited with the man never known in life.





If you like the idea of ‘steampunk’ Victorian fiction why not try reading The Difference Machine, an alternate historical novel featuring Ada Lovelace by William Gibson and Bruce Sterling. In their story the Analytical Engine has actually been built, changing the balance of world power. Babbage gains great political influence, while the Prime Minister is the scandalous Lord Byron (still alive and in England, rather than dying in Greece). Byron heads the Industrial Radical Party, in which Ada is a prominent figure. Meanwhile, her computer ‘punch cards’ have been developed to enable a gambling ‘modus’.
The VV would like to end this post by sharing something seen on the Datamancer website ~ a wonderful hybrid laptop encased in a Victorian music box, and perhaps something that Ada Lovelace would have loved to own herself.



ZYLPHIA SARAH FOX

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Zylphia Sarah Fox 1837-?

A short time ago, I was surprised to receive a letter from an American cousin which contained some copies of old photographs. Those Victorian portraits shocked us both, for one of the faces staring out bore such a striking resemblance to me and, on further investigation, my cousin had come to discover that the woman in question was indeed a mutual relative.

Zylphia performing on stage


Zylphia Sarah Fox was our great, great, great aunt. She was also the black sheep of the family who abandoned her English lawyer husband and children to elope with a most unsavoury type - some reports say an actor, others an itinerant photographer. Well, whatever his profession happened to be, soon after emigrating to America my aunt and her beau appear to have parted ways. But, rather than coming home in shame, Zylphia then forged a career on the stage, offering support and succour to officers of the Confederate Army during the time of the Civil war.

Zylphia and friends
For reasons of pride and propriety, it seems this adulterous adventuress had been all but expunged from the English branch of the Fox family archives. But, it's impossible to deny such an uncanny resemblance, seeing so much myself today in Zylphia’s faded countenance.
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